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PROPORTION & ORGANISATION

PROPORTION & ORGANISATION


Architecture is about assembling materials and spaces. The role of architect is to define the space as an enclose space, creating bounded areas for human inhabitation each with a particular geometry, proportion, and organisation that have been central discourse in architecture for centuries, but their hierarchical relationships among them have varied.


To create architecture is to put in order. Put what in order? Function and
objects.”      - Le Corbusier

A machine for living in, an arrangement of interpenetrating volumes, and spaces, and emanation of space-time.   - Colin Rowe

Stressed the value of proportioning individual spaces especially relationship between plans and section of a single space.    - Andrea Palladio


What is P R O P O R T I O N?
Proportion is the relationship between parts or things. In particular harmonious, proper or desirable relationships and the balance of symmetry.

What is O R G A N I S A T I O N?
To determine the separation or connection between similar or dissimilar uses, helps to clarify aspects of use and establishes similarity or contrast between spaces. In the text given, Andrea Palladio’s idea on organisation is to place the owner living quarters on the top level and hiding the less aesthetic parts of the building such as kitchen and servant quarters. While Le Corbusier highlighted on his planning of the houses, with mainly focused on the idea of circulation within house.

Nowadays, organisation reflects spatial environment on the health, the mind, and the behaviour of human in and around the building itself. For me, proportion and organisation is necessary for human or people habitation and functioning, as daily basis. Since the main consideration in design is based on human anthropometric studies, the positioning of each spaces is the reflection to the circulation of the space in which it affects the human daily life, since the connection is based on human habitation and movement. The dimension and location of the elements or spaces will affect the function of it too. Poor positioning of the space will cause a functional failure to the building.




CASE STUDY

NATIONAL MOSQUE of MALAYSIA

 
Three architect who have awesome teamwork Howard Ashley, Hisham Albakri and Dato Baharuddin Abu Kassim build a Malaysian Identity. A mosque for Muslim to pray and concentrate to their God. The best features of the mosque are the 73 meters high minarets and its 16-pointed star concrete which is its main roof. The main roof's design was inspired from the idea of an open umbrella while the minarets were like a folded umbrella. With a huge welcoming entrance and the concrete main roof utilizes the concept of folding plates in order to obtain larger space at the main gathering hall, the massive and huge entrance, with large space in the mosque itself is to me, a very good example to show metaphor of a building to human body.

  
Open water courtyard designed for cooling and ventilation.
 
Symmetrical plan & elevation


VITRAHAUS / HERZOG & DE MEURON

 
The museum's massing consists of few rectangular blocks that are intersect from one another, but the internal spatial organisations deceptively more complex. The museum could cultivate a more refined approach by organising itself into spatial compartments, each dedicated to, and equipped for, specific function. This shows the organization work with the function of space appropriately.

The circulation of this complex interior arrangement captures the essence of the design. In a modified display, the architect capitalizes on the resulting transitional areas by giving them programmatic value, expanding landings into reading platforms and bridging inter-floor gaps with bookshelves. The result is a seamless, continuous journey that meanders through the entirety of the building with stream-like fluidity.

   

Intersect between different elements of the building is geometrically driven by proportional relationships, and rotations. The architects use the term 'domestic scale' – the showrooms are reminiscent of familiar residential settings. The individual 'houses', which have the general characteristics of a display space, are conceived as abstract elements.
A good architecture should employ appropriate proportions and organisation for its functions and its particular users, and fulfil bearing capacity of the structure and provide aesthetically building.

In the bottom of my heart, I wanted to expressed that proportion can be more than numbers that dictated the outcome, where climatic conditions should be a strong influenced to the proportion of the building, and also other forces such as site context, cultural aspects and etc. which I think are far more important than saying whether a building is symmetrical or not. Whereas organisation, spaces needed good distribution of space that will contribute to inhabitant’s well-being, and eventually contribute to good proportions.


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